In chemistry, pH is denoting ‘potential of hydrogen’ or ‘power of hydrogen’ (Hydrogen is the most abundant chemical substance in the universe. The universal emergence of atomic hydrogen first occurred during the recombination epoch [Big Bang]. This element is found in great abundance in stars and gas giant planets. Molecular clouds of H2 are associated with star formation. Hydrogen plays a vital role in powering stars through the proton-proton reaction in case of stars with very low to approximately 1 mass of the Sun and the CNO cycle of nuclear fusion in case of stars more massive than our Sun) is a scale used to specify the acidity or basicity of an aqueous solution.
pH ranges from 0 to 14, with 7 being neutral. pHs less than 7 are acidic while pHs greater than 7 are alkaline (basic).
pH7 (potential or power of Heaven [RA, Apollo & poetry] 7)
The magic number 7 ( + – 2 = 9 or 5); poetry in Prometheus Orthogonality
Information System / Homeostasis / Function: input – receptor – conscious (ray of light or a poem) -> process – control center – subconscious (water drop or steps of a correct algorithm) -> output – effector – unconscious (rainbow or right expression, behavior) -> sense of coherence -> representation of a true memory pattern -> unit of cognitive information (engram) -> reconstruction & memory rehearsal (repeating information over and over again by discussing, practicing & recalling it) -> normal, balanced, ordered, physio-logical functioning memory processed, imprinted, and stored -> healthy state echo of exemplar performances enhancement -> informational medicine (im, is the medicine that comes in and corrects disturbed information) -> natural anamorphosis process -> echo (nap) equals logic/depth -> E= l/d (see post entitled Immortal at Rabbit Hole page)
NAP inbetween the event horizons (abstract area)
Echo (nap’s reverberating system) = logic (true value 1; minimal action path designed with the accurate, precise, strict, and exact geometry for an inversion; fitting switches that lead away from the problem) / depth (spatiotemporal memory of a healthy, vibrant, and eurythmic state which is repressed by the problem)… The Scientist … “and what happens to a mega fall, a massive suppression, or a malfunction? Perhaps a big packet of energy concetration. A durable core of condensed and trapped potential, buried deep, though, under the debris created by a dramatic twist of events (Alexandros Senarelis-Sinaris).
Health-ease from dis-ease, blindness from seeing, is as 0 to 360, or 360 to 0. As noted above, whichever way you see it is the same. The only thing that changes is the numerical polarity, the perception of the beginning and the end. But the bizarre thing is that even though they are extremities, so far apart, geometrically they appear like Siamese, one being. And the question is on which verge they dangle to change, what is the hidden variable that switches them from one side to the other?
The answer is simple and complicated at the same time (simplexity).
0 and 360, fast and slow, phasic and tonic, big and small, the story of little David and giant Goliath, the myth of Asopus with the rabbit and the turtle (Wisdom), darkness and light, least and maximum action, high orbit and fall, they are all in essence abstract. Brain dependent. Thus, abstract plus brain equal to abstract reasoning. Abstract reasoning has a coherent scientific link with logic. Logic, therefore, is the hidden variable. The needed loop through which things flow, circulate, shift, switch, interchange, and rotate. If it is missing, the end is never going to get connected with the beginning, and vise versa. Meaning, nothing is going to change, to grow, to develop, to evolve, and be understood.
After all, the neurons themselves decide. The neurons come to a resolution as a result of an intrinsic consideration, a reflection of the mind. And logic as a high neurobiological mechanism seems to be the influential catalyst in this decision-making process of internal dynamics (Alexandros Senarelis-Sinaris). Logic is the true pathfinder, the trustworthy explorer. The impetus that with vehemence will search and scan for all the possible nexuses that can have firmly cocooned and sealed the contingent of inversion (Alexandros Senarelis-Sinaris). Logic is intuitive illuminated energy. It dwells in high brain regions (neocortex), but it also dives into emotions (limbic system) and primordial biological functions (brain stem). With every other needed descent, with every required level reduction, logic behaves like an electron. Therefore, during this evolutionary neurodevelopment fall from high to low, a photon -a packet of energy- is emitted, having specific characteristics: a frequency, or color, that exactly matches the distance the electron falls. As a result, if the space that logic covers stretch far, analogous will be the energy produced from this space-time trajectory (Alexandros Senarelis-Sinaris).”
Vitakinesis: entering the temple blind -> miracle -> exiting the temple not blind. Pyrokinesis: “They’re burning! -> What have you done to them! -> What did you put on them!” Shapeshifting: “I can see! -> I can see! -> I’m not blind anymore” From darkness -> to -> light
Presynaptic Field (incoming information) -> Synaptic Cleft – Railroad Switch – “Neuroscience News” discovery (key words; meaning, patterning & processing, 0-1) -> Postsynaptic Field (outcoming information) – Railroad Switch Example… “Cut and take [his head] is wondering logically (from negative to positive) Logic“, “opa opa o[pa]thetic (from positive to negative)”, “Fly butterfly [upon] a butter a bat [but] me [and] you [like] Einaudi [plays] the song [Fly] butterfly (vicious cycle)”, with the deepest respect to the human imperfect, “Natural [Anamorphosis] Process” operates non–aggressively towards the cryptoalgorithm of any form of problem and the noisy, foggy, obfuscating dynamics of its potential complications. With the physio–logical tactic of its centrifugal approach moves peripherally, and in between (neutral behavior) the event horizons of the healthy bio–available and any pathology, disease, illness, syndrome, injury etc, which is basically the “abstract” area of the emerging stress before the true values–1 (biophotons–light–energy–electricity–3D holographic & electromagnetic fields) inevitably become false values–0 (nihilism). With the introduction and the usage of valuable and complex information (informational medicine) of undoubtedly rigorous sciences such as mathematics, physics, biology and philosophy, NAP as a regulator/buffer aims for the least action path (Hamilltonian physics), and with the controlled repetition (enrgams) of its intentional systems & agents, intends to maintain and enhance the physio–logical mechanisms of homeostasis and, by extension, through the parasympathetic system (vagus nerve–interoception) the stored energy levels of healthy bioavailability, since they form the absolute natural intrinsic self repair mechanism of smoothness and existence (Navier–Stokes). NAP is an innocuous Salutogenic (health–stress–coping) neuro–based independent Naturopathic system with neutral behavior. NAP is based purely on the logic behind the mathematical symmetric property of equality, by creating simple models of complex bio–logical neuro–behavioral organic algorithms (simplexity). So when therapy by definition aims to normalize a distorted biological condition, actually what it does is to try to bring biochemical regularity (normal functioning). Now, if we see it from another perspective (Anamorphosis), by intensifying or enduring the normal bio–available functioning (eurythmia), essentially we are in a therapeutic sphere of influence via a simple reverse process thinking mechanism (logic).
Non-plastic/dry clay (stuck) – plastic/balanced clay (flow) – muddy/watery clay (drift)
Less abstract (rigid: ‘this is what the poet means here!’) < abstract (flexible: ‘however, you can also see it from a different perspective‘) < way abstract (flabby: ‘what does the poet mean here?‘)
Plot of Ground – Swans of Hope – Memory remains (Prometheus Orthogonality)
Ethics -> {function -> science} -> Logic -> {author -> art} -> Poetry (the magic number 7 or Heaven 7)
… Wondering, logically, is science
What sort of “mental clay” do I receive and process while reading literature or poetry? Is it balanced enough to become helpful and considered profitable for my health and well-being, or it swings, fluctuates, and alternates between extremities?
What sort of “mental clay” do I create or produce while expressing myself through different forms/kinds of writing? Is it balanced, logical, and ordered? Or is it as a rock from one side and as a mash from the other?
How do I want to function after all?
And who or what is the parameter that creates the analogous configuration, form, arrangement, or shape?
Is it me, my choices, my preferences, my inner inclinations, and personal headings/orientations?
Is it something else unknown that confuses me or someone who doesn’t understand me and my needs?
Is logic able in the end to answer these questions?
Every given action, unfortunately for most, has its antipode always, meaning an immediate and direct reaction. So when you mix or mess up things like an exhilarated alchemist, first, you never know what you are going to get, and second, you never know if you are going to be able to control those things.
Louis Navier and Gabriel Stokes, individually, gave a weird looking Partial Differential Equation to get this job done. However, it looks like this.
Seeing this letter-symbol abstract unfolding, if you are familiar with advanced mathematics, it makes sense. But if you are not, then unquestionably makes no sense at all. It leaves you perplexed. Now the same thing happens to the brain when confronted with a multifaceted and complex writting pattern in literature. It is spinning and spinning to figure, calculate, interpret, and comprehend the hidden, hazy, vague or immature meaning behind while stationary. In medical terms, this phenomenon is called vertigo (disorientation; the condition of having lost one’s sense of direction).
Einstein once stated: “Mathematics does in the mind what music does to the soul and Poetry does to the heart. (…) Mathematics is, in a way, the Poetry of logical ideas.” NAP uses algorithms, and through their expression in poetry, logical ideas emerge! Also: “Where the world ceases to be the stage for personal hopes and desires, where we, as free beings, observe it with awe, wonder about it and study it, there is the entrance to the realm of Art and Science. If we translate what we have observed and felt with the language of logic, then we are doing Science. If we show it in forms whose relations are not accessible to conscious thought but are recognized by intuition (heart-brain connection) as mature meanings, then we make Art. The common in both Science and Art is the devotion to something that transcends our personal beliefs.”
The physicist Werner Heisenberg had come to Athens in 1961 and gave a lecture entitled Supervision and Insight into Science. He orally concluded: “If I were born again, I would like to be a poet and not a physicist. The physicist submits to the natural law, while the poet creates his own Universe.” He has also stated: “Man has only two languages to describe nature: Mathematics and Poetry.”
The English poet Shelley in his work entitled A Defense of Poetry, connects science with poetry. He writes: “Poetry is something divine. It connects simultaneously the center and the periphery of knowledge; it is what all science understands and what all science must refer to; it is at the same time the root and the flower of all other systems of thought. Poets are the fortune-tellers of an unprecedented inspiration, the mirrors of the giant shadows, which the future throws on the present. Poets are the unrecognized laws of the world.”
Einstein once remarked: “After a certain high level of technical skill is achieved, science and art tend to coalesce in esthetics, plasticity, and form. The greatest scientists are artists as well.” (Source: Einstein Archives 33-257).
Art and composition are one; poetry and painting alike created through composition. “Where the poet does his job by virtue of an effort of the mind he is in rapport with the painter, who does his job with respect to the problems of form and colour.” Artists have become writers and writers have become artists.
Arguably the aesthetic experience of a piece of art mirrors that of a poem – each have form, composition, and are interpreted by a viewer or reader who brings their own experiences and history to the canvas or page, usually with strong emotions induced.
Like all other art forms, such as painting, dance, sculpture or music, poetry has tools, techniques, practices and a history that inform it.
Poetic art can be defined as a collection of precepts for imitating nature in a way that is pleasing to those who produce this imitation.
Poetry is so important because it helps us understand and appreciate the world around us. Poetry’s strength lies in its ability to shed a “sideways” light on the world, so the truth sneaks up on you. … Poetry teaches us how to live.
Literature is art that shares a story and develops a theme for the audience. While it can stand alone as a form of art, it also is closely related to other art forms. Music is similar to poetry in pattern and rhythm. It can also reflect the same social concerns as literature and often represents a time in history.
Poetry has its own sound, form, image, and rhythm; therefore, qualifying it as a form of art!!
